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A Perfect Ganesh | August 1-9, 2023

TLab Shares Hosts 

Moonlake Productions

A Perfect Ganesh

Written by Terrence McNally
Directed by Amanda Kate Joshi

 

The pilgrimage tradition is turned on its head when two outwardly unremarkable middle aged lady friends throw themselves into a rousing tour of India, each one having her own secret dreams of what the fabled land of intoxicating opposites will do for the suffering she hides within.
 
Performance Dates/Times:
August 1-2 @ 7:00 pm
August 8-9 @ 7:00 pm
Performance inside the Gallery 
 
Tickets:
$25, plus fees
 

 

Meet the Crew/Cast:

Amanda Kate Joshi (Director) is a NYC-based director and producer, whose 20-year career has focused mainly on new play development and musical theatre.  She founded Wizard Oil Productions and served as its Artistic Director before her time as General Manager of Abingdon Theatre Company.  She has had the privilege of working at New Dramatists, being a reader for the Princess Grace Award in Playwrighting, has sat on the Lark Play Development Company’s Literary Wing, spent two years as Coordinator for the Johnny Mercer Writers’ Colony for Goodspeed Musicals, where she helped in the development of 30 new musicals, as well partnered with New Georges as a Line Producer.  New Georges’ A Beautiful Day in November…Great Lakes won an OBIE in 2015, and Wizard Oil’s Empire of the Tree was nominated for an Innovative Theatre Award in 2010.  For the past 10 years she has also served as an Associate Director to both Tony Walton and Don Stephenson, working on productions including CabaretThe ProducersSunday in the Park With George and Equus.  After being awarded an SDC Observership with Marcia Milgrom Dodge for Fiddler on the Roof, she was an evaluator for the SDC Observership Program.  She has been nominated for a National Directors Fellowship and an SDC Mike Ockrent Directing Fellowship. 

Terrence McNally (November 3, 1938 – March 24, 2020) (playwright) was an American playwright, librettist and screenwriter. Described as “the bard of American Theater” and one of the greatest contemporary playwrights the theater world has yet produced, McNally was the recipient of five Tony Awards for Love! Valour! Compassion!, Master ClassKiss of the Spider Woman and Ragtime, and received the 2019 Tony Award for Lifetime Achievement.  He was inducted into the American Theater Hall of Fame in 1996, and he also received the Dramatists Guild Lifetime Achievement Award in 2011 and the Lucille Lortel Lifetime Achievement Award.  His career spanned Six decades and his plays, musicals and operas were routinely performed all over the world.  His other plays included Frankie and Johnny in the Clare de LuneThe Lisbon TraviataLips Together, Teeth ApartMothers and SonsCorpus Christi and The Full Monty.  He also wrote screenplays, teleplays and a memoir.  His work centered on the difficulties of and urgent need for human connection.  He was the vice-president of the Council of the Dramatists Guild from 1981 to 2001.  

Kelleen Moriarty (Production Stage Manager) (she/her), is a queer, disabled director, dramaturg, stage manager, and storyteller based in Brooklyn. She is a former Westport Country Playhouse Directing Fellow and a former member of Mercury Store’s Directing Lab. Favorite recent New York credits include “My Cousin Nelu is Not Gay” (The Brick), “#Graced” (WP), “Galatea” (MJ Kaufman), “Blanche & Stella” (Columbia University, Queen’s Theatre), “Off Peak” (Hudson Stage Company), “Cupid and Psyche: an audioplay” (Stay True). kelleenmoriarty.com.

Brenda Currin (Margaret) began her career portraying Nancy Clutter in the film of In Cold Blood. Other films include The World According to Garp (Pooh Percy), Taps, Reds, the cult classic C.H.U.D.  and more recently, Gossamer Folds and Daughter of the Bride.  Brenda has worked extensively in the theater, receiving an OBIE Award for Wendy Kesselman’s My Sister in this House and is acclaimed for her one-woman shows based on Eudora Welty’s writing, “Sister and Miss Lexie“, and “A Fire Was In My Head” with director/adapter David Kaplan. Brenda co-founded What Girls Know, a theater program for adolescent girls. She has performed in many Tennessee Williams plays, and with Irene Glezos: Orpheus DescendingThe Rose Tattoo and In The Summer House by Jane Bowles. Brenda played Amanda Wingfield in a production of The Glass Menagerie for the St.Louis TW Festival and will be returning in September to do “Something Unspoken”.  Brenda’s TV work includes Claws, Gossip Girl and Wu-Tang, An American Saga.  She is delighted to be back at Theaterlab and thanks Irene Glezos for her partnership in making real this stage of A Perfect Ganesh.

Irene Glezos (Katherine) is so delighted to be back at TheaterLab where last summer she played Georgie in Simon Stephens’ Heisenberg directed by Austin Pendleton.  She has also played Lady in Tennessee Williams’ Orpheus Descending in NYC also directed by Austin Pendleton, as well as in Provincetown, a 4 city tour of Mississippi and in New Orleans (directed by Jef Hall-Flavin for which she was nominated Best Actress by the Big Easy Entertainment Awards). Other favorite New York and regional credits include: Maria Callas in Terrence McNally’s Master Class at MTC in Westport (dir. Kevin Connors, for which she was nominated Outstanding Leading Actress by the Connecticut Critics Circle), Serafina in The Rose Tattoo for the Tennessee Williams Theater Festival, Fairouz in Naomi Wallace’s In the Heart of America (at the Long Wharf directed by Tony Kushner), Gertrude Eastman Cuevas in In the Summerhouse (directed by David Kaplan) and Joyce/Isabella Bird in Top Girls Off-Broadway. She has appeared in numerous films including a lead in the psychothriller Delusional opposite Leon Pinkneye and Anais Almonte, in Woody Allen’s Celebrity, and on television series including And Just Like That, The Blacklist, various Law and OrdersSex and the City and Criminal Intent.  www.ireneglezos.com
 
Imran Sheikh (Ganesh) is an actor based in NYC. Theatre: Off-Broadway: American Dreams (Working Theatre), Confidence and the Speech (Charlotte’s). Regional and NYC: Disgraced (Milwaukee Rep, Florida Rep), The Invisible Hand (ACT/ Artists Rep), American Dreams (Cleveland Public Theatre), I Like to Be Here (New Ohio), The Myth Project (Noor Theatre), Carousel of Progress (Queens Theatre), Brahman/i (Crowded Fire), Disconnect (San Jose Rep), The Girl with Her Hands in the Sand & Radio Mara Mara (FringeNYC), A Midsummer Night’s Dream (New York Shakespeare Exchange), Why We Left Brooklyn (Blue Coyote). Television: Guy Code (MTV, Comedy Central), Blue Bloods (CBS), Big Dogs (Amazon). Film: R & J, Origin of Fantasy. www.imransheikh.info
 
Curtis Wiley (Man) was most recently seen at Arena Stage in the world premiere of American Prophet: Frederick Douglass In His Own Words under the direction of Charles Randolph-Wright, where he was creatively reunited with Grammy Award winning composer Marcus Hummon, TUT (New York Musical Festival). Curtis made his Broadway debut in the Original Broadway Company of Ain’t Too Proud: The Life and Times of The Temptations. Other NYC credits: The Total Bent (Public Theater); Rothschild & Sons (York Theatre Co.); Straight Faced Lies (Fringe NYC); Pageant: The Musical (Off B’way Revival); The Great Society (York Shakespeare Co.); King Lear (Exit, Pursued by a Bear). Other musical credits: Diner: The Musical; Jersey Boys; The Lion King. Curtis is an alum of Sundance Theatre Institute, Wig Out (Tarell Alvin McCraney). Stay in touch on IG: @Curtis_Wiley
 
 

 
COVID-19 policy: In guidance with the city and state COVID-19 policies, we will no longer be requiring masks, but strongly recommend them.